Exhibitions and ongoing events

Keith Bryant creates work from a place that exists beyond the confines of language yet enhances the realm of understanding riddles in life, connection and independence. Working in wood, metals and ceramics, his forms employ abstraction and metaphor. Bryant’s sculptures address ideas of loneliness, isolation, architecture and landscape.

Gretchen and Steve Lotz continue to inspire, challenge, and find mystery in each other after nearly five decades of an aesthetically inspired partnership. The intertwined worlds they have fashioned find form in the organically entangled artworks they create.

“My Place, or Yours?” is an exploration into the politics and practice of collaborative work. The artists in this exhibition have all arrived here with the goal of making work together, from a distance. More specifically, the majority of the participants here have embarked on a journey through the philosophy and practice of “Artistic Surrogacy.”

People are by nature social beings. People need other people to survive, and as such they tend to perpetually seek social interactions. However, human relationships are inherently complex and multi-faceted. The ideology of the series, Lián 連 and Liàn 鏈 begins with a pair of Chinese homophones “Lián 連 and Liàn 鏈” that, depending on the context, mean either “to connect” or “to enchain.”

Elizabeth M. Claffey’s work is both cross-disciplinary in nature and aimed at starting conversations within the community. She uses visual art as a catalyst for storytelling and to express the knowledge of people often under-recognized within the public sphere. Claffey’s projects examine cultural and social context, engage in community dialogue, and encourage critical inquiry.

Retracing Audubon: Eco-Conversations is an exhibition and book project reexamining John James Audubon’s epic life journey and the production of his beloved tome, The Birds of America. The exhibition features contemporary photographs made by Krista Elrick of the American landscapes in which Audubon traveled 200 years ago and includes quotes from Audubon’s journals and entries Elrick made in her own travel notebooks two centuries later.